Hello all! We are looking for one more ASM for Failure: a Love Story. If you're interested and available, please email Nicki at nshaw1@ric.edu
Thanks!
Hello all! We are looking for one more ASM for Failure: a Love Story. If you're interested and available, please email Nicki at nshaw1@ric.edu
Thanks!
Hi everyone,
Below is the Rehearsal schedule for Failure from 9/8-9/10. If you have any questions or concerns, please reach out to Abby (amedeiros_3150@email.ric.edu).
Avery & Marcos are not called this week.
Note for Stephen: I will be collecting noise making objects this week with some designers. I haven’t called you for rehearsal this week because I don’t want you to have nothing to do, but you are welcome to come and observe whenever you’d like.
End of week: Block Scenes 2, 3, 4, 5, 7 (without the Gramophone Team)
Tuesday | Goal: Block Scenes 2+3 7-8pm Developing clock chorus physicality, voices etc 8-8:30 start blocking Sc 2, (catch up the additional clocks) 8:30-8:40 break 8:40-9:15 finish Sc 2 9:15 - 10 Block Sc 3 | Call: 7:00 - 8:00pm- Suri, Ariana, Owen, Antonio, Willem & Ashley called 8:00-8:30 Add Sam, Ali, Miles, Roby 9:00 Add Kayla 9:15 Ali released 10:00 All released |
Wednesday ** ALL dance students (Avery, Marcos, Ali, Miles, Roby) will be absent, this is pre-approved ** Unlikely that we will touch Mortimer Mortimer’s song in this rehearsal | Goal: block Scenes 4+7 7-8pm Block Sc. 4 with Harold and Owen 8-8:30 Start Scene 7 8:30-8:40 break 8:40-10 Complete Scene 7 (if there’s time we can go back and fill in the end of scene 6 leading into 7) With any additional time, begin to generate physical vocabulary for swimming | Call: 7:00 - Harold, Owen, Ashley 8:00 - Add Briana, Sam, Antonio, Harold, Ariana, Suri, Willem **no Miles or Roby |
Thursday | Goal: Block Sc. 5 and develop swimming material 7-8 Scenework Nelly/Mortimer, JJ/Mortimer, JN/Mortimer 8-8:30 Start blocking Sc 5, incorporating animals & chorus 8:30-8:40 Break 8:40-9:30 Finish Blocking sc. 5 9:30-10:00 continue to explore the physicality of Jenny June’s swimming scene | Call: 7:00 - Briana, Sam, Harold, Kayla 8:00 - Add Miles, Roby, Ariana, Ali
8:30 Kayla is released 10:00 All released
|
Hi everyone,
Thank you all for your work during auditions and callbacks. You all have such amazing talent!
Thank you all again for your hard work. Reminder that rehearsals begin tonight at 7:00. Also, if anyone in the cast is available today from 2:00-4:00, you can stop by the costume shop for fittings. If you have any questions or concerns please reach out to Abby Medeiros (amedeiros_3150@email.ric.edu).
Thank you,
Abigail Medeiros
If you are enrolled in THTR 178, 278, 378, or 478 there are no 7:00pm meetings this week!
Please just attend the Theatre & Dance Welcome Meeting on Friday at 1:00pm in Sapinsley Hall!
Questions? Please email Casey Seymour Kim (jwalrad1@ric.edu). Thanks!
Great job to everyone who auditioned today! Thank you for your efforts and willingness to be creative and have fun.
Below is the list for callbacks. They will be taking place tomorrow, Monday 8/31 from 7:00-10:00 with a possibility of ending earlier.
Callback List
Meeting will now be in Sapinsley at 1:00pm!!
Theatre & Dance Welcome Meeting!
Please plan to join us in the Forman Theatre at 12pm on Friday, September 4th!!
We will be welcoming new students, reviewing all upcoming events, fielding your questions, and setting expectations for the coming semester.
************************
Theatre Auditions!
If you have not signed up to audition for Failure: A Love Story, please do so using this Callboard post!
Auditions are this Sunday!
Dr. Janice Okoomian here. I want to tell you about my exciting new course that will run this fall (and also hopefully in Spring 2027). It's called "Debating Gender Issues through Role-Playing Games," (GEND 263) and it meets Tuesdays and Thursdays 10-11:50.
Auditions for Failure: A Love Story
A clock shop in 1920’s Chicago. A river: of life, of death, and of time. And three sisters, each swimming against the currents of memory, love, and ambition.
The play itself:
Kind of a wild romp! A piece of absurd poetry plopped onstage! Failure is a script jam-packed with dense language, and expansive in its opportunities for innovative staging.
The five principal characters will each be played by a designated actor, and a chorus will be tasked with playing many different parts with the help of puppets and shadow play and more. Two actors will be responsible for performing live foley (think radio play or practical sound effects) and another two will perform as the Gramophone and its accompanist, bringing to life the musical component of the show.
What to expect in auditions:
Come dressed ready to move; this is an ensemble heavy show whose engine is high-energy, embodied storytelling. ***Actors with mobility aids or access needs of any kind should not feel discouraged from auditioning. I firmly believe that all bodies are compelling messengers of story and deserving of accommodation.
Actors will audition in groups, using pieces of text from the show (printouts provided day of). You need not be memorized, I prefer that you focus on showcasing your comprehension and facility with language. Be straight up goofy with it. Silly voices, added sound effects, mimed sequences, all of it yes please!
There will be a short portion of the audition when we will generate material as a group. I will provide a prompt and ask the group to create a vignette. Nothing polished, nothing complete, low stakes environment. I am looking for: playfulness, teamwork, and an openness to failing without hiding and with a sense of humor.
Characters, briefly
NELLY FAIL, the youngest
JENNY JUNE FAIL, the middlest
GERTRUDE FAIL, the eldest
JOHN N. FAIL, the brother
MORTIMER MORTIMER, the lover
Audition information for Slot 1's performance of Failure: A Love Story will be posted shortly!
Auditions will be Sunday, 8/30 starting at 1pm, with callbacks on the following night at 7pm.
Rehearsal dates/times and the tech and performance schedule can be found on the calendar tab as well if you'd like more info.
In the meantime, please take a read of the script (linked here) if you plan to audition!
If you're interested in ASMing shows this semester (either slot 1, slot 2, or growing stage), please email Nicki to let her know! (You can indicate interest dependent on auditions for the shows as well, just indicate that in your email.)
Please use NBFSHAW@GMAIL.COM as the RIC email accounts are still down. Thanks!
We were recently contacted by Julie Batten, director of Glass Houses Shelter Project. She is looking for actors to help out with an original play written by a young student. If you are interested, please contact her at glasshouseshelterproject@gmail.com. Here are the details:
I work one-on-one with students interested in producing longer works (plays, novels, etc). Earlier this summer, I helped a 17 year old who attends Phillips-Exeter Academy put the finishing touches on a play that is scheduled to be performed at the Providence Public Library on August 26th. Rehearsals will run every day 1-5 pm at the PPL from August 11-15; 17-21. Tech rehearsals will take place August 24-25 and the actual performance is on August 26th (7-8:30 pm). We are calling it a staged reading as the rehearsal time is so short but some memorization would be helpful.While we have some room to double up roles for characters not appearing in the same scenes, we need a minimum of 7 young actors (five male and two female) and one 8 (ish) year old boy (or a petite teenager who can pull that off).The PPL and Ocean State Media will be advertising this, so we anticipate that it will be well-attended and participants will be in the spotlight.Right now, my priority is to round up enough interested actors to hold an informal audition next Thursday evening (7/30 -- location TBD). Please note that my co-collaborator, Christopher Hoyt (Program Manager at First Works) will be helping us deliver a professional production complete with sound, lights, minimal props, etc.!
Hello, all --
Regional actress Becky Gibel has reached out to us regarding the upcoming Wilbury season.
Here is her message:
Rebecca Willingham, a friend and wonderful director (formerly Chicago-based, a Jeff Award-winner, and all around fantastically brilliant human), is gearing up to hold auditions for the rock musical, “Seagulls” at Wilbury Theatre Group in PVD. The piece is very loosely inspired by The Seagull and follows four close friends, who are in a college band together, as they navigate making art, fame, and relationships
They're specifically looking for actors who are college age/early 20s who can play instruments. Folks can audition in-person or submit a video but must be local for the show.
We have a full season ourselves at RIC, but do check out the audition information, just in case. It's always good to see what is going on professionally in the area, and to see what projects are being produced. Also -- while you may not be able to do Seagulls, you may be interested in other shows that don't conflict with our Theatre and Dance schedule.
Many Adjunct Faculty / Staff have lost access to their RIC emails over the summer.
If you've been trying to reach someone and have not gotten a response, please reach out to Gel (acardente1@ric.edu) so she can connect you!
Thank you!
Hi Folks,
Rey reached out to our RIC theatre instagram account to let us know about their exhibit that they made and is posted in Adams Library (which you should definitely check out!!). Also stay tuned for a shout out featuring Rey on our account!
If you're doing anything fun/cool/industry related this summer, take some pictures and send it over to our RIC Theatre account, with a little blurb describing your connection to RIC theatre and a little information about the project/classes/work so that we can get a shout out put up for you too!
It's important to show that RIC students regularly work in theatre/performance related jobs before they graduate!
I’m excited to introduce a new Theatre & Dance Student Ambassador Program designed to strengthen our department’s presence and connections in the community.
The program has two parts:
Sponsorship – Student ambassadors will build relationships with local businesses, helping to secure sponsorships that support our performances. This offers valuable experience in outreach, communication, and professional engagement.
Recruitment – Ambassadors will participate in outreach to local studios and high schools by visiting classes, sharing their experiences at RIC, and encouraging prospective students to consider our program.
The ideal candidate would possess the following qualifications:
Who is a good fit?:
Must Haves:
If you are not sure if you have work-study or if you are eligible, I can help you navigate.
If you are interested in serving as a student ambassador, please contact Jessica, jpearson@ric.edu, immediately.
Thank you,
~ Jessica
Hello Folks,
I hope that you all are having a nice start to your break! Please find the link to the JCS PHOTOS here.
Additionally, I am currently working on archiving all of the photos from previous shows because we are running out of space on our drive. This means that I will be removing many shows from our drive and storing them on an external hard drive for safe keeping. I will however, be keeping a rotation of the last five years of shows (which will be updated each year) active on our drive for folks to pull from for reels and portfolios.
All of this is to say (and please tell your friends), if you would like any of the photos from previous shows that you have been in or worked on, please obtain them before AUGUST 1, 2026. This is when I will be removing all shows beyond the past 5 years.
If you have any questions please feel free to reach out to Taylor Santoro.
The house manager is responsible for ensuring that the lobby, restrooms and audience seating area are clean and orderly before each performance. They are also responsible for the safe passage and conduct of the audience during the entire time that the audience is on the premises. The house manager opens the house to an audience under the supervision of the stage manager. The house manager is also responsible for training the ushers and ensuring that they are familiar with the venue, including emergency exits.
HOURS & COMPENSATION:
Reports to: Ticketing Services & Operations Manager
Work Schedule: Evenings and weekends during Gamm season productions
Work Location: The Gamm Theatre in Warwick
Status: Part-time, seasonal
Compensation: $60-$75 per shift
Benefits: Free and discounted tickets to The Gamm Theatre
Please send a letter of interest and resume to boxoffice@gammtheatre.org. In the letter of interest, tell us why you are the ideal person for this job and indicate how you became aware of this position (e.g. website, current employee, or other source). Applications without a letter of interest will not be considered.
BARTENDER: (Must be TIPS certified)
The Gamm Theatre seeks Concessions & Bartender staff to be a vital part of our theatergoing experience. This is an exciting opportunity to enhance The Gamm’s brand as a regional destination for provocative, professional theater, and a perfect job for someone looking to supplement their income. Love of theater is a plus! Reporting to the Events and Marketing Manager, this position is fast-paced and fun. This individual will interact with administration, box office, house management, and production staff. This position requires being self-motivated and ability to work independently. Shifts may occasionally include free movie screenings for the public, as well as special events.
HOURS & COMPENSATION:
Hours: Shift schedule, varies per production run
Compensation: $15/hourly plus tips
Free tickets for each show
Please send a letter of interest and resume to boxoffice@gammtheatre.org. In the letter of interest, tell us why you are the ideal person for this job and indicate how you became aware of this position (e.g. website, current employee, or other source). Applications without a letter of interest will not be considered.
USHERS:
Volunteer and see the show for free, no long term commitments needed. Our ushers are essential to a positive Gamm experience for all. Ushers are required to arrive one hour prior to each performance for which you are scheduled. House management will share show-specific information, review general information about the theater, and assign pre-performance projects and usher duties. The usher call time for each performance is listed on the signup form, and will be sent to you in your reminder email.
Sign up here for Cat on a Hot Tin roof: https://www.
With Chris DePina's graduation (go, Chris!) we will be left without a Theatre Org Treasurer for the next school year.
Taylor Monte has expressed interest in taking on the role, but, per Theatre Org by-laws, Theatre Org will need to have a formal election (all officers must be elected -- we will have other elections in the Fall, but need to have a Treasurer established before the end of the school year).
Please vote for 1 of the options below (I have left a space for a write-in candidate)
BY END OF DAY FRIDAY MAY 15, 2023.
Here is the LINK
Thank you and have a wonderful weekend!
Casey SK
I’m reaching out to share information about the 2026 Pilobolus Summer Workshop Series and to invite your students and broader dance community to participate. Given Rhode Island College’s commitment to immersive training and creative inquiry, I believe this program could be a strong complement to your students’ work. Open to university students, teachers, and movement enthusiasts, this immersive experience offers a deep dive into Pilobolus technique, repertory, and creative process.
Participants are welcome to attend individual weeks or the full series:
Week One: Technique & Philosophy — June 22–26
Week Two: Performance: Onstage & Beyond — June 29–July 3
Week Three: Creation: Vision and Revision — July 6–10
Resources & Registration:
View the Flyer: 2026 Pilobolus SWS Flyer
Register Here: 2026 Pilobolus SWS Registration
On-Campus Housing: Available for purchase in single or double rooms for all participants 18+.
Special Offer:
We are thrilled to offer your community a 15% discount through May 29, 2026. Use code RI15 at checkout for:
Summer Workshop Weeks 1, 2, or 3
Pilobolus Pedagogy Workshop
Pilobolus Rep Intensive
Please feel free to share these materials with your network. If you or anyone in your community have questions, don’t hesitate to reach out, I’d be happy to help!