Upcoming class final performances - All are welcome!

 

Filming in RI

Boston Casting is looking for actors and extras. Some of the  filming will take place at the old Friendly’s located at 1883 Mineral Spring Ave. Mention a friend who should apply. Click the link to apply. www.bostoncasting.com/actors/

Tech/Design 091

 Friday, May 5^th - Tech Classroom

• 1:00pm - Sara
• 1:20pm - Amaya
• 1:35pm - Drew
• 1:55pm - Maddy
• 2:15pm - Jasmin
• 2:30pm - Isaac
• 2:45pm - Break
• 3:00pm - Grisneidy
• 3:15pm - Dylan

NEW TIME FOR MACHINAL CALLBACKS: 8:30-10PM

Hello Auditioners!

Because there will be a workshop from 7-8:30pm, Callbacks will be pushed back.

The new time will be Sunday, 8:30-10pm.

Spread the word -- and thank you!

Casey SK

Callbacks for Fall Production of "Machinal" -- Sunday (4/30) from 7-9pm.

Hello and thank you to everyone who auditioned for the fall production of Machinal by Sophie Treadwell.

Callbacks will be Sunday evening (4/30), from 7-9pm in the Little Theater (this is the same room in which you auditioned).  

I am calling back everyone who had not put themselves on the Do Not Cast list.

There is a method to my madness:  I have called back a large number of actors because you all read very well and I wish to try out some creative movement exercises. 

Please come dressed comfortably/able to move. (Do not worry if you do not think of yourself as a 'dancer' -- that is not what this is about. I'm more interested in character and ensemble work.) 

Provided that we begin on time, I will not keep you past 9pm. 

If you are unable to make it, please let me know. (email at casey.seymourkim@gmail.com)

Thank you! 

Casey SK

(Just in case, here are the people that I am calling back:

Ashley Aldarondo 

Ethan Brittsan 

Maddie Brown 

Sierra Candeias 

Katie Culhane 

Jasson Deleon 

Chris DePina 

Colleen Farrell 

Jennifer Jenmarie 

Deanna Irizarry 

Olivia Lancellotta 

Alex LeBlanc 

Matt Macy 

Emma McKay 

Aida Menacho 

Eisley Morgan 

Bailey Oliveira 

Caleigh Pearce 

Sage Pires 

Liz Seastrom 

Shawn Simmons 

Sam Wright 

Nayeli Vazquez 

Mariana Villa Jaramillo

Weekly Schedule: April 23 - April 30

SUNDAY, 4/23

10:00-5:00pm - Growing Stage Load-In

2:00-5:00p - Auditions for MACHINAL - click here sign up for a time slot in advance!

7:00-10:00pm - End of the World...  rehearsal

MONDAY, 4/24

6:00-10:00pm - End of the World...  tech rehearsal

 

TUESDAY, 4/25

10:00-4:00pm - Scene Shop open for hours 

      

6:00-10:00pm - End of the World...  tech rehearsal

WEDNESDAY, 4/26

10:00-4:00pm - Scene Shop open for hours 

12:00pm - Theatre Org Meeting (Little Theatre)

1:00pm - Technical Theatre Group Meeting (Tech Classroom)

6:00-10:00pm - End of the World...  tech rehearsal

THURSDAY, 4/27

10:00-4:00pm - Scene Shop open for hours

6:00-10:00pm - End of the World...  tech rehearsal

7:30pm - Open dress for End of the World... 

    *Remember to bring your punch card!

    * sign up HERE!

      

FRIDAY, 4/28

1:00pm - Day 2 of Performance/MT 091 appointments

7:30pm - End of the World... Performance #1

SATURDAY, 4/29

7:30pm - End of the World... Performance #2

SUNDAY, 4/30

1:00pm - End of the World... Performance #3

8:30-10:00pm - Callbacks for MACHINAL 

THTR 178, 278, 378, 478

If you are enrolled in THTR 178, 278, 378, or 478 this semester... this is your reminder that Assessment/Evaluation Sheets need to be turned in to receive your credit!

Blank sheets are available in the lower office suite on top of the black file cabinet. Students should fill out the top, sign the bottom, and then take the sheet to their 78 supervisor for completion. Completed forms can then be turned in to Nicki either in her mailbox or under her office door.

Supervisors:

• Run Crew (either show) = Nicki
• Scene Shop = Alan
• Costume Shop = Kerry
• Small Mouth Sounds performance = Casey
• Head Over Heels performance = Bill

Completed forms are due to Nicki by Friday, May 5th!

Auditions -- Gamm Theatre May 6 and 8

Just an FYI -- here is the recent press release regarding auditions for the Gamm Theatre in Warwick:

FOR IMMEDIATE RELEASE

Jessica Hill-Kidd, Director of Production

(401) 723-4266 ext. 152 or jess@gammtheatre.org

THE GAMM THEATRE ANNOUNCES IN-PERSON AUDITIONS FOR SEASON 39 (2023-2024)

 

WARWICK, RI (April 18, 2023) — The Sandra Feinstein-Gamm Theatre (The Gamm) will hold IN-PERSON auditions for its 39th season as follows: Equity Principal Auditions will be held on Saturday May 6 and Monday, May 8 from 10am-5:30pm. Auditions will take place at the theater, 1245 Jefferson Blvd., Warwick, RI. Members of AEA will be given appointments for audition times. Any AEA member without an appointment will be seen first off the waiting list. EMC and Non-AEA performers will not be given appointments but may request to be put on a waiting list and all efforts will be made to see all performers. 

 

The Gamm Theatre is an Equal Opportunity Employer committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants without regard to race, color, religion, national origin, age, disability, sexual orientation, gender identity, gender expression, veteran status, and any other characteristic protected by applicable law. Those from historically underrepresented groups in the theater field are strongly encouraged to audition.

 

The Gamm is looking to cast roles in the following plays of the 2023-2024 season, which starts performances in September and runs through May. The available roles, with character descriptions from the authors, follow:

 

Topdog/Underdog by Suzan-Lori Parks, directed by Clifford Odle
Rehearsals begin August 15, 2023. Runs September 7-October 1, 2023

 

Lincoln, the topdog, a Black man, late 30s–40s, older brother to…

Booth, the underdog, a Black man, 30s

 

Hangmen by Martin McDonagh, directed by Tony Estrella

Rehearsals begin October 3, 2023. Runs November 2-26, 2023

 

The play is set in the north of England. All actors must have a good ear for dialects.

Harry, 40s-50s , Publican and England’s second best hangman

Mooney, 20s-30, blonde hair, an enigma from London

Alice, 40s-50s, Harry’s wife, runs the pub

Shirley, teenager, Harry and Alice’s “mopey” daughter

Syd, 40s-50, Harry’s former assistant, anxious, an addled Napolean

Bill, Charley, Arthur, Inspector Fry, 30s-70, regulars at Harry’s Pub

Pierrepoint, 50s, imperious, imposing alpha male and England’s best hangman

Hennessy, 20s, blonde, death row victim of hanging (must be physically adept)

Clegg, 30s, newspaper reporter, dogged

 

Who’s Afraid of Virginia Woolf? by Edward Albee, directed by TBD

Rehearsals begin December 26, 2023. Runs January 25-February 18, 2024

 

Martha, early 50s, a force of nature

George, her husband, professor, acid wit and at the end of his rope

Honey, 20s, wide eyed and demure…when sober

Nick, Honey’s husband, young professor, hale, healthy, a “picture” of strength

 

Twelfth Night by William Shakespeare, directed by Tony Estrella & Rachel Walshe

Rehearsals begin Feb. 20, 2024. Runs March 21- April 14, 2024

                     

Viola, 20s, shipwrecked, intrepid grieving

Sebastian, her twin brother

Olivia, lady of the house, 30s great depth of soul, grieiving

Malvolio, her steward, a scold, searingly articulate and repressed

Sir Toby Belch, Olivia’s drunken uncle

Sir Andrew Aguecheek, Toby’s credulous friend

Maria, Olivia’s maid and Toby’s paramour

Feste, Olivia’s fool, acid wit, and musically accomplished

Orsino, A Duke, local authority, lovesick and forlorn

 

Doubt: A Parable by John Patrick Shanley, directed by TBD

Rehearsals begin April 16, 2024. Runs May 9 -June 2, 2024

                

Sister Aloysius Beauvier, female, 50s/60s

Father Brendan Flynn, male, 30s

Sister James, female, 20s

Mrs. Muller, female, Black,  around 38 years old

 

It’s A Wonderful Life: A Live Radio Play by Joe Landry, directed by TBD

Rehearsals begin November 28, 2023. Runs December 8-24, 2023

 

All performers must play multiple characters. Vocal virtuosity is a must.

Freddie Filmore, 50s, stentorian

Jake Laurents, 30-40, plays George Bailey

Sally Applewhite, 30-40, plays Mary

Lana Sherwood, 40- 50

Harry “Jazzbo” Heywood, 50s, plays Clarence

 

Each performer will be allotted a minimum of 3 minutes and a maximum of 5 minutes. We ask that all performers prepare one or two monologues of their choice that fit within the allotted time frame. Only AEA members may choose to read from a script. The Gamm will provide a reader. Those AEA members who wish to read a side are encouraged to prepare their own and either bring a copy for the reader or let us know the scene/page numbers upon check–in so we may be prepared to assist you.

 

Callbacks for individual plays are TBD.

 

Please also provide a copy of your headshot/resume at the time of your audition. Copies of the plays will be available at the auditions.

 

For an appointment, please email auditions@gammtheatre.org. In your email, please offer a time block of 2 hours on one of the days. We will reply with a specific appointment time slot or waiting list time block. EMAIL IS PREFERRED. If you do not have email, please call 401-723-4266 x152.

 

The Gamm Theatre is a family-friendly organization and recognizes that parental needs such as childcare, space for caregivers, or lactation/pumping privacy during auditions can create access to employment opportunities. If you are a parent who needs support in these areas, please contact jess@gammtheatre.org by April 22, 2023 so we may evaluate our resources and take supportive measures for the most audition appointments possible. 

 

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

 

Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

 

Holding/Audition room information:

The audition room can accommodate no more than 10 individuals at a time.

The holding room is can accommodate no more than 35 individuals at a time.

 

Interested stage managers may send a resume to jess@gammtheatre.org. This is for future consideration.

 

Artistic Director Tony Estrella will be attending all auditions. Current minimum weekly salary for Equity actors is $716. Minimum weekly salary for Equity stage managers is $858.

 

ABOUT THE GAMM THEATRE

Founded in 1984, the non-profit Gamm Theatre is proud to tell stories that entertain, provoke, and engage seriously with the most important issues of our time. The Gamm further serves the public with educational programming that enriches the cultural and civic life of our community. Under the leadership of Artistic Director Tony Estrella and Managing Director Amy Gravell, The Gamm is a regionally recognized, award-winning theater and a proud member of New England Area Theatre (NEAT), a bargaining unit of the Actors’ Equity Association.

Performance/Musical Theatre 091 Schedule

FRIDAY APRIL 21, 2023

1:00 Andrew Leger

1:10 Ashley Aldarondo

1:20 Lola Brosco

1:30 Madaline Brown

1:40 Reegan Camire

1:50 Wilmarie Castillo

2:00 BREAK

2:10 Nicholas Corsi

2:20 Katherine Culhane

2:30 Sofia DaSilva

2:40 Jasson DeLeon

FRIDAY, APRIL 28,2023

1:00 Deanna Irizarry

1:10 Madison LaPlante

1:20 Alexander LeBlanc

1:30 Samantha Schleifer

1:40 Aida Menacho Aliaga

1:50 Amaya Moniz

2:00 BREAK

2:10 Marcos Pimental

2:20 Nyah Price

2:30 Mackenzie Richard

2:40 Rachel Santagate

2:50 Elizabeth Seastrom

3:00 Sage Pires

3:10 Bailey Oliveira

FRIDAY, MAY 5, 2023

1:00 Shawn Simmons

1:10 Nayeli Vasquez

1:20 Eliza Vecchiarelli

1:30 Mariana Villa Jaramillo

1:40 Abby McGough

1:50 BREAK

2:00 Zee Garcia

2:10 Colleen Farrell

2:20 Myranda Silva

2:30 Rebecca DeVivo

2:40 Jessica Nordquist

2:50 Olivia Lancellotta

Growing Stage Open Dress

Join us for the open dress of NOTHING IS THE END OF THE WORLD (except the end of the world) on Thursday, April 27th at 7:30pm in the Forman Theatre.

Event Brite sign up link can be found HERE!

Save the Dates - Open Dress & Senior Showcase

The final two 091 Punch Card events of the semester are coming up!

• Open Dress for Nothing is the End of the World - Thursday, April 17th at 7:30pm in Forman
• Senior Showcase - Saturday, May 6th at 7:00pm in Sapinsley Hall!

See you there!

Weekly Schedule: April 17 - April 23

MONDAY, 4/17

10:00-4:00pm - Scene Shop open for hours - Strike for Head Over Heels

      

7:00-10:00pm - End of the World...  rehearsal

 

TUESDAY, 4/18

10:00-4:00pm - Scene Shop open for hours - Head Over Heels

7:00-10:00pm - End of the World...  rehearsal

WEDNESDAY, 4/19

10:00-4:00pm - Scene Shop open for hours - Head Over Heels

12:00pm - Open Book, Open Minds

12:00pm - Theatre Org Meeting (Little Theatre)

1:00pm - Technical Theatre Group Meeting (Tech Classroom)

THURSDAY, 4/20

7:30pm - Student Choreography Performance - Come support the dancers!

      

FRIDAY, 4/21

1:00pm - Day 1 of Performance/MT 091 appointments

3:00pm - End of the World... Production Meeting

7:30pm - Student Choreography Performance - Come support the dancers!

SATURDAY, 4/22

SUNDAY, 4/23

10:00-5:00pm - Growing Stage Load-In

2:00-5:00p - Auditions for MACHINAL - click here sign up for a time slot in advance!

7:00-10:00pm - End of the World...  rehearsal

  

THTR 091 Clarification for Seniors

Just a reminder for Seniors: 

Bill and I are asking that all seniors bring their repertoire book to their 091 meeting. 

We will pick a monologue from your repertoire, and then you'll share it with us. 

We're very much looking forward to seeing you all! 

-- Casey SK

Auditioning Opportunities for CCRI Summer Rep

 Attention anyone who is seeking summer stage experience!

CCRI Players is launching its summer season, with auditions and callbacks being held May 16 - May 19.

Two Shakespeare plays are being offered: Love's Labour's Lost (directed by Karen Carpenter) and Troilus and Cressida (directed by Tabi Baez-Bradway).

You do NOT have to be registered at CCRI to participate in the plays.

There will be more information coming -- but if you want, you can follow the updates on Fa
cebook:

https://z-upload.facebook.com/ccriplayers/posts/6020691621317365

 

091 Reminder and Padlet Link

Just a Reminder:

Deadline to upload THTR 091 Monologue and Song submissions is April 18.

Upload to this link: 

https://padlet.com/caseyseymourkim/thtr-091-spring-2023-xsngdzadowc606yr

If you have any difficulty uploading it, please let Bill and Casey know (wwilson@ric.edu; casey.seymourkim@gmail.com)

Thank you!

"Machinal" Audition Clarification

No, you DO NOT have to memorize the monologue that you will be presenting. 

BUT!

Please be comfortable enough with your chosen piece so that you can look up from the paper, etc. to make character choices and engage with the room -- 

and so that if I give you some direction or notes, you are flexible enough to try it!

Thank you!

Casey SK

HEAD OVER HEELS

Monday, April 10th - 5-11pm

• 5:00pm - Cast and Crew call, get ready!

• 6:00pm - Cast can start picking up their mics

• 6:15pm - Sword fight call

• 6:30pm - Mic check IF NEEDED

• 7:00pm - Go!

Tuesday, April 11th - 5-11pm

• 5:00pm - Cast and Crew call, get ready!

• 6:00pm - Cast can start picking up their mics

• 6:15pm - Sword fight call

• 6:30pm - Mic check

• 7:00pm - Go!

Wednesday, April 12th - 5-11pm

• 5:00pm - Cast and Crew call

• 6:00pm - Cast can start picking up their mics

• 6:15pm - Sword fight call

• 6:30pm - Work on Shadow Play and Transition!

• 7:00pm - House opens

• 7:30pm - Open dress!

Thursday, April 13th 

• 5:30pm - Cast and Crew call

• 6:00pm - Cast can start picking up their mics

• 6:15pm - Sword fight call

• 7:00pm - House opens

• 7:30pm - Show #1

Friday, April 14th 

• 5:30pm - Cast and Crew call

• 6:00pm - Cast can start picking up their mics

• 6:15pm - Sword fight call

• 7:00pm - House opens

• 7:30pm - Show #2

• 9:30pm - ACTF response

Saturday, April 15th

• 11:00am - Cast and Crew call

• 11:30am - Cast can start picking up their mics

• 11:45am - Sword fight call

• 12:30pm - House opens

• 1:00pm - Show #3

• Post show - Theatre tour for incoming students

• Dinner at Donovan provided to cast & crew

• 5:30pm - Regroup in theatre

• 6:00pm - Cast can start picking up their mics

• 6:15pm - Sword fight call

• 7:00pm - House opens

• 7:30pm - Show #4

Sunday, April 16th

• 11:00am - Cast and Crew call

• 11:30am - Cast can start picking up their mics

• 11:45am - Sword fight call

• 12:00pm - Mic check

• 12:30pm - House opens

• 1:00pm - Show #5

Weekly Schedule: April 10 - 16th

MONDAY, 4/10

10:00-4:00pm - Scene Shop open for hours

5:00-11:00pm - Head Over Heels Tech #3 rehearsal (7:00pm GO!)

      

7:00-10:00pm - End of the World...  rehearsal

 

TUESDAY, 4/11

10:00-4:00pm - Scene Shop open for hours 

5:00-11:00pm - Head Over Heels Tech #4 rehearsal (7:00pm GO!)

7:00-10:00pm - End of the World...  rehearsal

WEDNESDAY, 4/12

10:00-4:00pm - Scene Shop open for hours 

5:00-11:00pm - Head Over Heels Open Dress!  

               7:30pm GO for invited dress!

                https://www.eventbrite.com/e/open-dress-for-head-over-heels-tickets-609491915727

THURSDAY, 4/13

5:30pm - Cast & Crew call Head Over Heels

7:30pm - Head Over Heels performance

7:00-10:00pm - End of the World...  rehearsal

      

FRIDAY, 4/14

3:00pm - End of the World... Production Meeting

5:30pm - Cast & Crew call Head Over Heels

7:30pm - Head Over Heels performance

SATURDAY, 4/15

11:00am - Cast & Crew call Head Over Heels

1:00pm - Head Over Heels performance

7:30pm - Head Over Heels performance

SUNDAY, 4/16

11:00am - Cast & Crew call Head Over Heels

1:00pm - Head Over Heels performance

 

AUDITIONS FOR FALL: MACHINAL

AUDITIONS FOR SLOT 1: SUNDAY, APRIL 23RD starting at 2:00pm

- Sign up here for a timeslot:  

https://docs.google.com/spreadsheets/d/1dHVQiMeyQRHzjoJ8gyYDeuZmaOIIvZDwoZRwDDHqKdA/edit?usp=sharing

- Fill out the audition form here:

https://forms.gle/vdHgcXiXsrcdfupSA

The first production for next year's mainstage will be Machinal by Sophie Treadwell directed by Casey Seymour Kim.

This piece is a fantastic, highly stylized piece from 1928 -- it is considered one of the best Expressionist plays written by a US playwright.

Like the musical Chicago, this play was inspired by real events -- the murder trial of Ruth Snyder -- and while Machinal is not a musical, the writing has intense musicality and rhythm.

Callbacks will be Sunday, April 30th at 7:00pm. Rehearsals will begin late August and the show will perform beginning of October 2023.

(For the Wiki entry -- https://en.wikipedia.org/wiki/Machinal.)

(For the entire play -- http://www.ciaranhinds.eu/pdf/machinal.pdf)

When you read the script, there are a lot of interrupted thoughts and conversations, so it can be tricky to read on the page. 

Things become much clearer once one can hear the lines spoken.

A final note on the script -- this play is now nearly 100 years old; there are terms, and character descriptions and attitudes that contemporary readers may find problematic. Most of these choices are deliberate -- the characters are deeply flawed and this play is a condemnation of society's power and class structure. For the other moments, we will work to adjust the script while preserving the original intent of the playwright.

Auditioners can choose from any of the 4 following monologues (Casey SK will make copies of these monologues and leave them upstairs at the MTD department desk).

Young Woman (talking to her mother, after her boss has proposed to her):

I've always thought I'd find somebody -- somebody young - -and --and attractive -- with wavy hair -- wavy hair -- I always think of children with curls -- little curls all over their head -- somebody young -- and attractive -- that I'd like -- that I'd love -- But I haven't found anybody like that yet -- I haven't found anybody -- I've hardly known anybody -- you'd never let me go with anybody and I just mean I've never found anybody -- anybody -- nobody's ever asked me -- till now -- he's the only man that's every asked me -- And I suppose I got to marry somebody -- all girls do -- But, I can't go on like this, Ma -- I don't know why -- but I can't -- it's like I'll all tight inside... I can't go on like this much longer -- going to work -- coming home -- going to work -- coming home -- I can't -- Sometimes in the subway I think I'm going to die ... I got to do something.

Husband (to his wife, in the maternity ward of the hospital):

Everything OK? (Wife shakes her head 'No') Now see here, my dear, you've got to brace up, you know! And -- and face things! Everybody's got to brace up and face things! That's what makes the world go round, I know all you've been through but (Wife shakes her head 'No') Oh yes, I do! I know all about it! I was right outside all the time. Oh yes! But you've got to brace up now! Make an effort! Pull yourself together! Start the up-hill climb! Oh, I've been down -- but I haven't stayed down. I've been lickedbut I haven't stayed licked! I've pulled myself up by my own bootstraps, and that's what you've got to do! Will power! That's what conquers! Look at me!  Now you've got to brace up! Face the music! ... Take life by the horns! Look it in the face! Having a baby's natural! Perfectly natural thing -- why should ... (Wife reacts; Husband turns to Nurse ) She's got that gagging again -- like she had the last time I was here...

Nurse (to the new mother):

How are you feeling today? Better? No Pain? You're getting along fine. Such a sweet baby you have, too. Aren't you glad it's a girl? (Mother shakes her head 'No')

You're not! Oh, my! That's no way to talk! Men want boys -- women ought to want girls. (No response),. Maybe you didn't want either, eh? You'll feel different when it begins to nurse. You'll just love it then. Your milk hasn't come yet -- has it? It will! ... Anything else you want? Draft? The noise? (Mother nods her head 'Yes') Oh, that can't be helped. Hospital's got to have a new wing, We're the biggest Maternity Hospital in the world. I'll close the window, though... Here's your man!

Young Man (to his new lover):

You haven't been around much, have you, kid? I could tell that just to look at you. What are you running around with a girl like that other one for? You're all right. You just haven't met the right guy -- that's all -- 'girl like you -- you got to meet the right guy, You're different from girls like that other one -- any guy'll do her. You're different. You didn't fall for that business gag -- did you -- when they went off? Come along -- let's go. You know what you seem like to me? An angel. Just like an angel. ... Let's go. Just a step -- come on.

Growing Stage

Reminder - Directing applications are due back to Nicki tomorrow, 4/7/23

Thanks!

Open Dress for HEAD OVER HEELS

Sign up here to come support the cast and crew of HEAD OVER HEELS at their open dress - Wednesday, April 12th at 7:30pm in Roberts Auditorium!

https://www.eventbrite.com/e/open-dress-for-head-over-heels-tickets-609491915727

Summerstock: Maine State Music Theatre

Reminder: Susie Schutt Self-Care/De-stressing Workshop This Wednesday at 12:30pm

Just a reminder that Susie Schutt will be here, in the Little Theater, to lead a self-care workshop designed to help students get through the final weeks of the term and school year while experiencing minimal anxiety and stress!

She'll be with us on Wednesday, April 5 at 12:30pm in the Little Theater.

Susie is a terrific educator, theatre artist, and therapist. 

This session is for students only; no faculty will be present.

Sign up here!

Weekly Schedule: April 2 - April 9th

SUNDAY, 4/2

6:00pm - Head Over Heels rehearsal - Sword Fight!

7:00-10:00pm - Head Over Heels rehearsal - All Called - Stumble Through show

7:00-10:00pm - End of the World...  rehearsal

MONDAY, 4/3

10:00-4:00pm - Scene Shop open for hours

7:00-10:00pm - Head Over Heels rehearsal - All Called - Finish Stumble Through

      

7:00-10:00pm - End of the World...  rehearsal

 

TUESDAY, 4/4

10:00-4:00pm - Scene Shop open for hours 

7:00-10:00pm - Head Over Heels rehearsal - All Called (Run Through: Tech/Design invited)

7:00-10:00pm - End of the World...  rehearsal

WEDNESDAY, 4/5

10:00-4:00pm - Scene Shop open for hours 

12:30pm - Stress Relief/Self Care Workshop with Susie Schutt (Little Theatre)

        * Please sign up in advance! Sign up at this link! 

7:00-10:00pm - Head Over Heels rehearsal - All Called - TBA

        7:00pm - Head Over Heels band rehearsal (SOUND CREW CALLED - on stage)

7:00-10:00pm - End of the World...  rehearsal

THURSDAY, 4/6

10:00-4:00pm - Scene Shop open for hours / HoH light cue session (onstage)

7:00-10:00pm - Head Over Heels rehearsal - All Called - TBA (no Scott)

7:00-10:00pm - End of the World...  rehearsal

      

FRIDAY, 4/7

3:00pm - End of the World... Production Meeting

4:00-9:00pm - Tech #1 for Head Over Heels  (All Cast & Crew called)

SATURDAY, 4/8

9:00am-12:00pm - Sitz Probe for Head Over Heels (Cast and SOUND crew called)

12:00-1:00pm - Lunch Break!

1:00-6:00pm - Tech # 2 for Head Over Heels  (All Cast & Crew called)

SUNDAY, 4/9

Easter - Day off!